Friday, March 31, 2006

The More You Know.

This morning Erin and I were watching last night's DVR'd episode of The Office. It was a decent, but while watching it I realized two items of note: 1) The downfall of DVR'd/downloaded programming and 2) how, exactly, the networks are going to survive in this "new" television evironment. Honestly, if I hadn't been paying close attention I'd probably have missed it (well, until it was pointed out here. In short, I noticed that B.J. Novak (the Temp) was doing a "The More You Know" PSA. So I stopped, rewound, and checked it out. To my great surpise, it wasn't about reading to a child, or picking up garbage, but about key reasons why one shouldn't get involved in office romances. Funny. Better yet, these promos were scattered thoughout the breaks.

Add this to The Office shorts planned to air on-line this summer and you have a magical recipe for broadcast network staying power.



More here.

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Wednesday, March 29, 2006

Tuesday, March 28, 2006

It's time to declare a successor

Well, it appears that Arrested Development is (almost) officially dead. Mitch Hurwitz, the show creator, has decided not to stay with the show, which is likely a deal-breaker for Showtime.

Honestly, this is probably for the best.

Now then, where should the title of "Funniest Show on Television" be placed? As amazed as I am to say this, I'd have to say it belongs with "The Office" on NBC. One year ago I'd never have said that, but it has gotten quite good. That being said, the return of It's Always Sunny In Philadelphia could (and will likely) change the tides.

In other news, Thief starts tonight at 10.

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baby seals are adorable, but...

i'm not sure i agree with you a hundred percent on your police work, there, moz.

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Just Bounce With Me

On Sunday I was walking home from work pondering if I should finish watching season 1 of "Rescue Me" before or after I did laundry. I'm not entirely sure what my decision was, but I did decide to mix in a new element to my laundering process: dryer sheets. The way I used to look at it, dryer sheets were completely unnecessary. Static cling is no more real than the boogey-man or actual blond hair, I used to think. That is until two weeks ago when I tried to dry that piece of bedding that does between the mattress and the sheets (the pad?) with some of my shirts. Low and behold, things were sticking together like two glue monsters in a 69 position (too much?). So I bought some dryer sheets at Rite Aid.

Here's the catch: I'm not into perfumes. Dryer sheets, however, seem to be almost entirely perfume. I looked at the myriad brands for sale and smelled each of them. Old-school Bounce seemed to be the best bet, and least obnoxiously pungent.

It did the trick. My laundry was oh-so soft and stick-free. I go home, put everything away and put on a movie (Whit Stillman's "Barcelona"). Halfway through the first act I realize that I'm having trouble breathing. The open box of dryer sheets (now sitting on my floor) had created a near-unbreathable-scented-fog. And I couldn't stomp it out. The box and its contents were poluting everything. My room smelled like a $40 hooker*.

The solution consisted of me wrapping the box in about 4 layers of plastic wrap and then stuffing it in a Rubbermaid tub. This seems excessive. Has anyone else had such aromatic troubles with dryer sheets? Am I using them wrong? WTF?

*The $40 hooker is not to be confused with the $2 hooker, who refuses to bath and has a particularly fierce disposition. The $40 hooker, on the other hand simply wears too much perfume. The $40 hooker is really your best deal.

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Monday, March 27, 2006

No. Big. Hair.

I'm at work and I'm watching the chase sequence from "Pee-Wee's Big Adventure" on Bravo and they just had the part where he rides past Twisted Sister shooting a video. I love that part. Here's the lyrics to the song they were singing:
Hear no Evil, don't you
See no Evil, don't you
Lay no Evil down on me
Speak no Evil, don't you
Think no Evil, don't you
Play with Evil, 'cause I'm free.

And then you'll burn in Hell!
This movie is preposterously funny.

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Saturday, March 25, 2006

SPOILERS!

Here's the opening to this week's episode of "The Simpsons" (3.26.06).

Also, Ricky Gervais wrote it and will be featured. TUNE IN!

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The Truth About Snakes & Planes (and the snakes ON the planes)

Curious about this phenomenon? This is a great read. PLUS, I think this concept opens exciting new doors in the world of film. Can the influence of Internet outcry and fan-driven blogs begin to shape films to fit what the people want? This movie, which would have been otherwise shunned for being "fucking ridiculous," will now have a cult following due largely, in part, to all the hype built around the ability to influence the studios in recognizing that, yes, this is indeed fucking ridiculous, but on that note, why not let the audience have a say in what they want to see? So it'll still be fucking ridiculous, yet fucking brilliant in not taking itself too seriously where other horror films fail. And in that respect, it will likely become a cult classic in the world of overwhelming campy thriller/horror films. The proof? I just might go to the theater just to see a movie that I otherwise wouldn't and actually enjoy it.

Anyhow, read on:
LOS ANGELES (Hollywood Reporter) - As film back-stories go, this one is fairly serpentine.

The Samuel L. Jackson thriller "Snakes on a Plane," which wrapped last September in Vancouver, went back before the cameras this month for five days of additional shooting in Los Angeles. In this case, it wasn't the usual reshoot, hastily assembled to fix a nagging story problem. Instead, distributor New Line Cinema decided to create new scenes that would take the movie from PG-13 into R-rated territory.

The second round of filming also came about because of intense and growing fan interest in the movie, which is not scheduled to be released until August 18.

Jackson stars as an FBI agent who has to fight a planeload of snakes unleashed by an assassin bent on killing a witness in protective custody. Sight unseen, the movie has grown from something of a joke into a phenomenon slithering untamed throughout the Internet.

As a movie whose fan base has grown spontaneously and organically, "Snakes" is relatively rare.

Intense fan reaction to movies most often is associated with titles that have established themselves in other media, such as comic book movies or fantasy novels, before making their way to the screen. Or it becomes attached to surprise hits, like the original "Star Wars," that develop massive cult followings once they are released.

But original movies that develop a big prerelease following are uncommon. Artisan Entertainment pulled off that trick in 1999 with its viral Internet campaign for "The Blair Witch Project," but that success has not been easily duplicated.

"Snakes," directed by David R. Ellis from an original script by John Heffernan (with rewrites by four scribes), barely has an official Web site at the moment. But the movie already is the talk of a certain segment of the Net without any real prodding on the part of New Line.

It all started with the provocative and buzzworthy, if also reductive, title. New Line picked up the script after Paramount put it on the backburner in March 2003 -- in the wake of September 11, terror-on-a-plane movies had fallen out of favor. And even within New Line, there were skeptics who viewed "Snakes on a Plane" as nothing but a simple programmer with a "stupid title."

After Jackson came on board, the title was upgraded to the more generic "Pacific Air Flight 121." The studio said it was a temporary moniker being used for "casting purposes." Executives were searching for something that was more thriller-like and less campy. According to sources, Jackson's camp also was in favor of a title change.
"Who wants to be in a movie called 'Snakes on a Plane'?" asked one talent agent at the time, seeming to echo the studio's concerns.

But once production began, a funny thing happened. Movie fans began noticing the black sheep of the New Line slate. They seized upon the title and created fan sites, blogs, T-shirts, poems, fiction and songs. The title itself, sometimes abbreviated as "SoaP," has emerged as Internet-speak for fatalistic sentiments that range from c'est la vie to "s--- happens."
"The title is so clear and so straightforward," said Brian Finkelstein, a Washington, D.C., native who created the blog http://www.Snakesonablog.com and who hopes to score tickets to the movie's premiere. "You know exactly what you're going to get."

Like Harry Potter, whose first suggestion that he's got magic on his hands comes when he discovers he can talk to snakes in their language, New Line got the message. Deciding that so many anonymous fans couldn't be wrong, the studio decided to revert to the movie's original title.

Jackson publicly endorsed the move. "That's the only reason I took the job: I read the title," Jackson told entertainment site http://www.Collider.com. He added, "You either want to see that, or you don't."

New Line executives, concerned that it is too early to discuss the movie, declined comment. But sources now insist the studio never abandoned the "Snakes" title in the first place and that "Pacific Air" was just an internal working title.

In any event, "Snakes"-ophiles already were hard at work. Chris Rohan of Bethesda, Md., created an elaborate, R-rated audio trailer that lovingly mocks the title and movie. "It's a genius title," Rohan said. "It's so stupid it's great. It invites satire, but it's something you just love. It's something I can't explain. You either get it or you don't."

The audio bit uses a Jackson sound-alike shouting, "I want these mother snakes off the mother plane!" Soon, the growing legion of fans added their voices as they demanded that that phrase also appear in the movie.

Apparently, the studio got the hint. When Ellis assembled Jackson and others for the recent shoot, the filmmakers added more gore, more death, more nudity, more snakes and more death scenes. And they shot a scene where Jackson does utter the line that fans have demanded.

Those involved with the film said the reshoots weren't prompted by fans but rather by the existing footage that already was a hairline into R territory. Within the studio, the thinking was, "We're already going to get an R, why not go all the way?" But the filmmakers do concede that the Jackson line will be in the movie for the sake of the fans.
Reuters/Hollywood Reporter

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Ch-Ch-Ch-Chevy's

On Thursday the super-cool G and I went to a screening of the new Beastie Boys concert film. It was pretty kick ass. For those of you who aren't "down," the movie was shot during their October 2004 show at Madison Square Garden. The gimmick: they handed out 50 HI-8 cameras to fans in the audience under the guidelines that they had to KEEP FILMING. All in all, I'd say the idea worked quite well. If you like the band, you'll like the movie.

There were only 3 screenings on Thursday and the only one we were able to get into was at a theater in Battery Park. So we had to go downtown. Wayyy downtown-- the part of Manhattan that turns into a ghost-town after six o'clock (I blame the terrorists, or the banking industry and their CRAZY 9-5 hours). In any case I was starving. Downtown New York City doesn't lend itself to spontaneous food consumption like the rest of the city does. It takes a little more planning. Personally, I don't like to plan. Maybe some of you have discovered this?

We ended up at Chevy's (home of the FRESH-MEX!). The decision was made out of necessity with a decent dose of irony thrown in for good measure. Chevy's is kind of like a more southern Chili's or a less southern Chi-Chi's depending on your latitude. But really it's a proud member of the sit-down-chain family of restaurants. We all know these establishments, and in most of America they are synonymous with "eating out." I was raised on them, and I suspect most people who grew up in the suburbs were as well. This is fascinating to me.

Generally speaking, most towns of 100,000 people or more are in no short supply of restaurants, and while the sit-down-chain may have the most obvious presence it certainly isn't going to be the only option for a family of four to grab a decent meal. But it usually wins out. Why? It can't be because of the food. Sure, you're rarely going to find something completely objectionable (though the crazy mayo-fused sauce on G's Steak-Tacos seemed suspect), but you're never going to encounter someone saying, "Applebee's makes the best hamburger in the free world!" If anything, they make a perfectly acceptable hamburger in the free world. The same is true for the general value as menu items are rarely given a NICE PRICE sticker.

The fact of the matter is that most families (and I suspect most people) have a go-to list of restaurants. They trust this list. It is a list made from painstaking repetition factored together with low-expectations and proximity. Here is the Pecoraro go-to restaurant list used between the years 1993 and 1997 (list includes sit-downs only):

-Applebee's (The nationwide leader in grilled Americana)
-Valentino's (Nebraska's premiere Italian chain and dubbed "best pizza ever" by people who weren't forced to eat copious amounts of it in Millard Cafeterias during the late 90s)
-Village Inn (merchant of all-day breakfast, pies, and underage smoking)
-Fuddruckers (gourmet burger chain that I still kind of like)
-Grab bag: this spot belongs to an rotating cast of local eateries that, interestingly, are almost all pizza places (Zio's, Sortino's, Godfather's, Big Fred's more)

Now then, did we only hit up these places because my family wasn't adventurous? Well, that case can probably be made, but I think the better case is that we knew everyone liked them, and they were familiar. Familiarity goes a long way. It's almost exclusively the reason I have friends.

"Rick, I like you. You remind me of this kid I knew in high school," you say, "He was considerably cooler than you, if I remember correctly."
"I'll take it!" I respond.


If you're hungry and you're in a car and driving along a street populated with restaurants, familiar logos go a long way, even if there's a chance that a smaller restaurant will actually provide you with a better meal. This illustrates a key point, being the difference between eating-out for entertainment and eating-out for survival. Survival eating rarely involves chances. Survival eating also doesn't care much about authenticity or even taste, for that matter. Survival eating is pure-- it's just about the food. It doesn't even have to be food, as long as you can chew it, but there is one thing that it does demand and that's free refills.

I'm off to Fridays.

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Thursday, March 23, 2006

The Faint is* leaving Saddle-Creek.

[Article here]
*is?

"I Disappear" -- The Faint

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Wednesday, March 22, 2006

"It's just so much better than everything else!"

What was I referring to when I said this to my roommate this evening:

A) My new (highly discounted) iPod Shuffle
B) The Sopranos
C) "3131," the new record by Prince
D) The "Silver Jews" concert I attended last Saturday evening

Stay tuned for the answer.

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Monday, March 20, 2006

The brilliant un-comedy of "Sons & Daughters"

Two weeks ago ABC premiered a new series, Sons & Daughters, now airing on Tuesday nights. Its the networks first serious foray into neo-comedy (read: single-camera, no laugh-track) post Sports Night, a genre that finally seems to be cracking through the mainstream (I guess we can thank My Name Is Earl -- for better or for worse).

Sons & Daughters is Arrested Development meets Curb Your Enthusiasm but without the funny parts.

"What? No funny parts? That's madness!" you say.

Hey, easy kid, let me finish.

For whatever reason, people seem to ask a lot out of their televised comedies. If you go to the movies and plop down $10.75 on Wedding Crashers you expect it to be astronomically funny, and when you walk out you believe that it was-- despite the fact that MOST of Wedding Crashers is astronomically boring. But the handful of scenes that are legitimately funny (and the rock-solid first 10 minutes) make you think you just sat through comedy gold. Now, compare that to TV. The weakest 20-minute episode of Arrested Development has more genuine laugh moments that the entirety of Wedding Crashers or similar theatrical comedy release.

Which raises the following question: "Why is it we expect so much comedy out of our televised comedies?" Even the crappiest show, say The War at Home, is absolutely jam-packed with jokes ("jokes" here is used quite loosely). But why can't a 30-minute non-drama be funny without being hilarious-- and still be good. Sports Night comes to mind again, as does Sex and the City and (*shudder) Entourage.

What makes Sons & Daughters such a peculiar show is that its highly improvised, which makes most people think it should be unrelentingly funny. It isn't. It has funny moments. More so, it has funny situations, but this is not a series to turn to for big laughs. It isn't early Curb. The improvisation works for the show. It creates a kind of breeziness in the structure that's quite refreshing to watch-- kind of like a televised mojito-- refreshing when consumed in moderation, with mint leaves.

Unrelated to Television:
GinCork.com enjoyed a MASSIVE update yesterday. Please check it out and tell your friends.

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Sunday, March 19, 2006

brother, you can believe in stones

as long as you don't throw them at me.

wafa sultan speaks about the clash of civilizations on al jazeera.

ok, it's not "one of the guys," but what is?

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NCAA Tournament (y'know, for the ladies)


(thanks to Paul for the tip)

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Saturday, March 18, 2006

"Just One of the _____"

The best part of the Wikipedia entry for the popular 80s teen-flick "Just One of the Guys is about halfway down the page where it says, Spoiler Warning!

I'll give you a clue. The title is slightly misleading.

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Tuesday, March 14, 2006

The Ebbs and Flows of What Is Recoil

The regular readers of this site will notice that we're in the middle of "the lull." This happens when nothing is going on in life and those of us who are still living the "education" schedule are in the middle of breaks from classes. What is interesting is that most people I know who have been working normal, non-school-related jobs, still seem to adhere to this schedule: spring breaks, dead weeks, the whole shabang.

So allow me to spice things up with some public queries:
1) Did you see "The Sopranos?" Great opening, or GREATEST opening?
2) "Big Love." I'm not going to say that this is going to be the next big show, but it's better than I thought it was going to be. Also, did anyone else find this show kind of unspecifically creepy?
3) The "24" death count is on the rise. Crazy.
and in non-TV,
4) Remember when I got sick? Remember how I was unsure if I was going to have to pay copious amounts of money to some medical center? Well, I got a bill from my insurance provider yesterday. Anyone want to guess the total?

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Saturday, March 11, 2006

2 Great Theater Experiences.

First: it should be noted that while I still love movies, I no longer love them more than I love television. Television, for all its problems, is endlessly more fascinating than cinema (and all its problems). However, while I'd sit down for 9 hours to watch an entire season of a television series before I'd sit down for 90 minutes and watch a movie that I might not have seen before but have still "seen before," I'd without a doubt go see a movie in the theater before watching anything on a television.

A brief tangent: wasn't it kind of weird during the oscars last week when they kept jamming "the movie-going experience" down our throats? It was. And it wasn't. Sure, Hollywood wants to preserve its bottom line and its currently losing it to DVD and the internet and the new iPod, but some of the rest of us just want to make sure there's a place we can go in the summertime that is dark, air-conditioned, and not in my livingroom. Of course, it'd be nice if they were showing good movies. But let's not get ahead of ourselves.

Last Saturday I went to see Indiana Jones and the Last Crusade at what is likely the greatest movie theater in North America, The Ziegfeld. Its a huge, deco, theater with something like 1200 seats and an enormous screen. I wasn't expecting a big crowd, but given the size of the place it was well populated. The movie itself, which I realized after 20 minutes, I had never seen in its entirety was good, but the crowd was better. They clapped when the lights went down and when the credit, "and Sean Connery as Professor Henry Jones" came on the screen. They cheered the good guys and booed the bad, and yet it never crossed over into that horrifying region called "fanboydom." It'd be like seeing a Star Wars prequel on opening night but with the crowd consisted of mostly people over the age of 25 who traded their Jango Fett costumes for dates and sport coats. It was the type of movie-going-experience completely devoid of both pretensions and cluelessness. The audience that night knew what movie they were paying for-- an homage to the Saturday-serials of our parents generation, not a ticket to the reliving of our own childhoods.

The second of the titular experiences was on Thursday night. After work, like every first Thursday of the month (there were scheduling conflicts in March, which pushed it back to the 2nd Thursday), the New York 1 movie club convened for our monthly outing. It was my pick this month and I went with Dave Chappelle's Block Party, a selection that was initially greeted by my fellow movie-club members with resentment and scorn, but in the end won not only their hearts but their minds. The actual theater experience, like Last Crusade before it, was top-notch, but in a completely different way. First of all, 3 of the 4 NY1-Movie-Club members were kinda-sorta-bombed (the show started at 11pm. At 10:30pm we went into a bar to grab a quick drink. The quick drinks happened to be 2 Irish car bombs in about 4 minutes. SWEET), and the 4th member was high-on-life (and kettle-corn). So we had that going for us. Also adding to the vibe was a group of about 14 "kids" who, when it comes to traditionally theater etiquette, were "rowdy." I wouldn't have had it any other way. Block Party, which has taken an early lead for 2006 Movie-o-the-year, is quite frankly, joyous. This is not a movie to see in the middle of the afternoon on the upper-east-side. Yelling at the screen, singing along to the performances: all perfectly acceptable to this movie-goer, if not absolutely necessary!

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Friday, March 10, 2006

GinCork Updates!

After much gnashing of teeth, the GinCork site is up and running. That being said there's still a lot of work that needs to be done (fomatting and the like), and it is highly plausible that those of you using Internet Explorer (!?) may not see anything at all. But the meat and potatoes is definitely there, and let me be the first to tell you there are some GEMS.

ALSO! If you have funny "out-on-the-town" pics, go ahead and send them my way (either here or here) as they'll be lovely additions to the site (and will add a much needed splash of color).

Have fun.

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Tuesday, March 07, 2006

A prime candidate for the 2006 "Dudies"

Did anyone catch the second hour of last night's "24"? To begin with, the series implimented one of the best mid-series shake-ups I can imagine (which is even more impressive on "24," a show that while alternatingly jaw-dropping and boring is never really all that surprising). But I'm not writing this post to discuss how the fuck they think they're going to get out of the current mess they've sealed themselves inside of. No sir, I'm here to bring attention to a new character on the show. A character that can really only be classified as "some dude." The torchurous Kim Bauer, who had been delightfully abscent until this particular episode, brought in her new boyfriend/psycho-analyst (as oppose to her anALrapist)/dude to CTU. His name is (perfectly) Barry, and he sports not only a horrible shirt/pant combo but perhaps the most hillarious goatee ever to grace network television. Yes, Barry, you are very much in the running for a "Duder"-- the award bestowed yearly for the very best in dudeatude and dudeliness.

Hat's off to Barry.

(Oh, for those who don't spend every waking moment of their day watching pictures fly across a plastic box, the above image is not "Barry" but Edgar, who was too judgemental of his fellow co-workers to make it out of tonights episode alive. R.I.P. Edgar, you will be missed.)

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Sunday, March 05, 2006

in like a lamb: commencing my third month in the great white north

this last christmas eve i left chicago to move to waterloo, a small city about an hour west of toronto in southern ontario. while canada is huge (enormous!) our city runs about parallel with rochester, new york. so it's cold and there is more than a bit of trudging to be done on a true winter day, but for the most part i can get by without having to wear a balaclava -- which i have discovered is the easiest and most undeserved way to attract attention from the police.

does my move lean more toward a stab at disassociation or an effort at forging a new association? it's hard to say. moving here has marked a decision of mine to get out from under the oppressive thumb of american tabloid sensationalism. of course my world is probably run by corporate america regardless of what country i chose to call home, but i had found my young adult life in chicago governed by subscription after subscription to subscription and the politics of politics.

still, i'm no refugee, and i don't call america names.

it's just that i like canada. i like it a whole lot.

the common canadian mentality regarding foreign policy seeks to focus mainly on peace-keeping missions. "cleaning up afterwards," as more than a couple people have put it to me. but while canadian troops have been deployed to afghanistan throughout the u.s. driven war on terror to pursue the objective of helping the afghan people restore peace and stability to their country, debate in recent weeks could mark a change in the canadian mission.

this sort of public debate without aiming at a 5-10 word soundbyte resonates with me. perhaps i find it refreshing because it comes on the heels of having ingested hour intervals of american cable news mockery nearly everyday for the last four years. or maybe it is due to the fact that people seem to regard freedom, peace and patriotism with a deeper tenderness than i am accustomed to observing.

this tenderness extends to the respect canadians pay their veterans. every november 11 canadians observe a day of remembrance during which poppies are worn as the reminder "of nature's ability to withstand the destructive elements of war by men, a symbol of hope in a period of human despair... traditionally the poppies [are] made by disabled veterans. they are reminders of those who died while fighting for peace: we wear them as reminders of the horrors of conflict and the preciousness of the peace they fought hard to achieve." a bit of a divergence from "these colors don't run."

admittingly, outside of the indie music scene and prior to meeting my husband, i didn't know or much care about the neighbors to the north. in fact, subconsciously i think i held canada personally responsible for the cold weather and obligatory hockey highlights on sportscenter. but it's become clear to me that the canadian inferiority complex is unnecessary, as most inferiority complexes are. sure, it remains a pain in my ass to convert celsius to fahrenheit, milligrams to pounds, and damnit, i still don't enjoy hockey highlights -- but flax seed bread, butter tarts, milk bags, ducks in my yard and the general care and consideration for thy country, neighbor and environment more than make up for it.

i love you, america, but i'm not coming back.

and tonight: the oscars.

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Welcome to "What Is Recoil?." If you would like to post something on this blog, but don't have a WIR-Blogger login, then send me an e-mail, and I'll make it happen. SHAZAM!
-Rick
(co-creator)

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